Student file of Nellie Robertson, a member of the Sioux Nation, who entered the school on November 6, 1880, graduated in 1890, and ultimately departed on July 2, 1896. The student did not attend the school continuously, but left and reentered. The file contains student information cards, a photograph, news clippings, a report after leaving, a…
Atsye, Seichu
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Student file of Seichu Atsye, a member of the Pueblo Nation, who entered the school on October 3, 1886, graduated in 1899, and ultimately departed on April 7, 1902. The student did not attend the school continuously, but left and reentered. The file contains student information cards, and a returned student survey indicating that in 1907 Atsye…
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Student information card of Seichu Atsye, a member of the Pueblo Nation, who entered the school on October 3, 1886 and departed on April 7, 1902. The file indicates Atsye graduated in 1899.
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The first page opened with a poem “Cherries Are Ripe,” from Youth’s Companion, followed by a story titled “Sebastian’s Opportunity” about the training of a painter named Sebastian Gomez, a.k.a. “The mulatto of Murillo.” Page two featured a piece called "In Vacation," in which the Man-On-The-Band-Stand invited students to share their…
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A description of this document is not currently available.
Note: This issue was also published as The Red Man (Vol. 16, No. 5).
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Studio portrait of Seichu Atsye.
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Studio portrait of Anna Morton and Seichu Atsye.
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Studio portrait of Seichu Atsye.
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Studio portrait of fifteen male students and nineteen female students, the graduating class of 1899. According to the label on this photo they are:
Back row: Christian Eastman, Annie Gesis, Joseph Gouge (here J. Jennings Gouge), George Hazlett, Sarah Williams, Chauncey Archiquette, Eliza Smith (here E. Lillian Smith),…
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Studio portrait of Katie Creager (left) and Seichu Atsye (right).
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Richard Henry Pratt provides a recommendation and information for Seichu Atsye for an appointment as a nurse in the Indian Service.